The Concert
April 28, 2007
Outsukaresamadeshita! The full meaning behind this word can't be translated into English. I've come to find that many Japanese words are like that, and many English words have the same issue. But the best way to describe the meaning is something like, "It's over." And by it, I'm referring to the thing that for the past few weeks has been the most important thing in my life; my Koto concert. To start, I really love playing the Koto. It's like when the Tsume are on my fingers, plucking the strings, and making a gorgeous melody, things just make sense. That's not to say I'm very good at it. But I like playing the instrument, and that's what really counts. One thing I like just as much, if not better than playing the Koto, is my club members. The girls that are also in my grade are the most amazing girls I have ever met. They have all been friends from the club for many years, and have only known me since November. Yet it doesn't seem to matter, because everyday, they make me feel like I am just one of the girls. And there is no better than feeling than that. Since the moment by cell phone alarm rang that morning, I had a horrible nervous feeling eating away at my insides. The previous night I had a nightmare about the concert. The nightmare included me messing up and then walking off stage in the middle of the concert, humiliating my club members and myself. I trudged to complete my morning routine, knowing that the concert was approaching at an alarming rate. At 8:10, Chiake and her father picked me up from in front the house on the way to school. Since later that night I would be driving home with the Osaki's, it would be an inconvenience to have my bicycle. Chiake lives only 5 minutes away from the Osaki's and volunteered to give me a ride. She burst into laughter upon seeing my face, which much have resembled a dog about to throw up. Together, we got dropped off an a Convenience Store and bought lunch, not that we would have much time to eat it. Soon we made out way to school, Chiake squeezing my arm and telling me not to be nervous. Easier said than done. For the High School and Middle School members of the Tosajoshi Koto club, the concert started as soon the final school bell rang on April 28, 2007. My classmates, the Ko Ninensee girls must have flew over to Green Hall. I was teaching English in the Middle School, and by the time I got back, Chiake and everyone had already left. I wasn't worried though, because I soon found the High School 1st Grade, Ko Ichinensee, members of the club. Together we took the 20 minute walk through the middle of the city to Kochi Prefecture Green Hall, where the concert would be held later that day. A few of the Middle School girls, who were having their very first Koto concert, looked and felt about as nervous as I did. And it was quite a relief to see. As soon as we arrived, even before we could put down our bags, we were needed to carry in the Koto's. There were more Koto's than there were members, and they aren't exactly the lightest things to carry over long distance, so it was quite a hassle. The Koto with 17 strings is supposed to be carried by 2 girls because it is twice as heavy and a lot longer than the usual 13 stringed instrument. And as I waited for help, nobody came. So I carried this incredibly enormous and heavy wooden instrument through the entire Green Hall, while many of the little Middle School girls watched in awe. It was probably something like Goliath carrying a coffin for a giraffe. As I placed it down on the ground, hoping for a gold medal or at least a 10 minute break, I was whisked a bag full of the little bridges you place under the strings for tuning. So before I could catch my breath, I was onto the next task. The Ko Ichinensee saved me at some point. Together we ate lunch, which took about 3 whopping minutes. I pretty much tipped the salad bowl in the my mouth and swallowed whole. Back in the main hall, we were putting on bridges under the strings, tuning, and working hard. I don't know how to tune the Koto yet, so I ended up becoming a Taxi cab for the instrument, up and down the stairs with the long wooden instrument I traveled. I hope you understand what I mean when I say that it was tiring. But there was one good aspect about the whole thing. I had no time to let the nervousness catch up with me. That was until we were finished. At around 4 the Koto Taxi, was finished with her duties. I had an hour and half to kill before the beginning of the concert. During the free time, select groups attached to a song, practiced getting on and off the stage. The more difficult pieces got one last opportunity at practice playing the full thing. The Ko Sanensee (High School 3rd graders) went first. Since this would be their last concert as students of the school, they were going to get dressed in a Kimono, and with a Flute player accompanist. Not surprising any of the younger students, they did incredible. And the beautiful sound of flutist made it that much more magical. Yokoyama, Ko Ninensee and friend, burst into tears upon the end of the song. It was really beginning to sink in that this is the last big concert for the 3 Ko Sanensee girls. Next, the Ko Ninensee led by Chiake, practiced their astoundingly difficult piece of music. Seeing their smiles and excitement, and the big thumbs up I got from Yukimi, and then the horrible nervousness returned. A feeling that I just couldn't let them down. So I found my Sakura 21 sheet music, and studied the notes very diligently. It didn't help with the nervousness, but at least in my heart I knew I was doing all that I could. At 5, the girls were told to wait downstairs and keep the noise to a minimum. The doors to the 500-seat Green Hall, were being opened. Guests were being seated, programs were being handed out, the Gaijin club member was trying not to be sick. Some parents ordered in dinner for everyone, though I couldn't bring myself to eat it. I think, honestly, I would have been sick with food in my stomach. But I wasn't alone in this feeling. By 5:15, the food beginning to digest, my club members were all looking a little green. The young girls, that would be experiencing their first concert, looked as if they were about to put into an electric chair. Even the Ko Sanensee, who were at their 5th and final performance, were looking a bit queasy. At 5:30, Chiake Yamanaka, Koto club leader, did the opening speech. First, doing the obligatory opening welcomes and bows to the audience. She talked about how hard she and her classmates have worked for this concert. She remembered starting the club all those years ago, along side scared little girls who would become her closest friends. Those same little girls had grown up and become incredible musicians and people, who all wanted this concert to be the very best. She reasoned that there is never a dull moment concerning the club. People seem to thing that what we do is boring, because we practice a few songs for an entire year to be performed only once or twice. Yet in the process, we learn little things about the instrument, our club members, and most importantly ourselves. She laughed about how lately the club has been getting a little cultured. The newest member of the club, and one of Chiake's best friends, is an exchange student from America to Japan. The speech ended with a resounding applause, and a teary-eyed Club leader. The curtains opened almost immediately. And the concert began. The first 2 songs went a swiftly and alluring as expected. When the first piece was finished with, the Koto teacher, Kubamoto-sensei, had me help the younger students clear away stands and selves. I was relieved to have a job, to help get my mind off the inevitably approaching performance, even if it was only supposed to be for Kohi, or younger students. The second song, which I believe is called in English, 31, is a superlatively difficult piece reserved only for the best students of the high school girls. This summer, every Koto club in Japan, will compete in Kyoto for a chance at the title. My school always ranks in the 30th percentile, which is considered average. I can't understand why they rank so averagely though. They are really brilliant musicians. This song, 31, is the song that Tosajoshi is using to compete with. Listening to them play, and I can't imagine anyone beating them. I guess, maybe I'm just biased because my best friends are the musicians. But the music involves memorization, rapid movement, constant change, and doesn't allow one mistake. Not that these girls needed it. But as the song approached an ending, I gulped knowing that it was time. The Kohi, seeing my bedazzled expression, did their best and got me ready. They watched as I slid on my Tsume, one by one, and pushed them down hard. I couldn't have them falling off during the music. So at the expense of my finger circulation, I made them as tight as possible. They next brought me over my Koto, an ancient wooden block that has seen more concerts than I have seen sunsets, with an orange tattered cloth coated with withered paper fans. This Koto and I have been through alot together. It had seen my beginning days of my newly found talent, when I covered it in Cheat Tape about the placement of the strings, through my first unsuccessful concert. It went on to finally get the tape removed, and it's user finally accept that she could actually play the Koto. Last week, it was discovered that it was in fact broken, though I had been saying that for months. The strings were probably stretched too far back when Koto first made it's way into Japan from China in the 8th Century. But I don't speak Japanese well enough to suggest that. Anyway, Kubamoto-sensei wanted to pull it from the concert. But I couldn't allow that to happen. So the poor distorted thing now had 2 extra bridges under the strings to fill out the sound. I carried my Koto to the stage edge, so that when the curtain closed, I made a quick sprint to my spot, behind Chiake and in the middle of the stage. It was finally time. This concert, which I had been training for since January, was about to begin for me. I placed down my Koto, which got a couple loud snickers. Chiake rolled her eyes as she whispered that nearly everyday I manage to pick up the Koto the wrong way. And everyday she patiently explains to me that it is the wrong way, though she can't seem to explain just why. I smiled and retorted, some things won't ever change. She didn't reply, but looked away. I realized then that Chiake, who I had taken for being one tough cookie when it comes to performing in stage, was nervous. I wondered if it was because she was worried about how I would perform. But Chiake has been one of my biggest supporters, always assuring me that I am doing well. She is also one of those people that I just trust. I finally comprehended that it was the more difficult pieces she would be playing later on. But seeing her nervous made it okay for me, though I suddenly found myself feeling calmer. There I was sitting in front of my weathered Koto, center stage, between by new best friends, when time seemed slow up, if only for me to absorb the whole moment. The teachers ran around behind the stage barking orders to the Kohi. The other Kohi were scurrying in between the instruments placing down stands, shelves, and sheet music. And for how nervous I had been prior to the event, I suddenly found myself calm, relaxed, and happy. Many of the Kohi went out of their way to pat me on the back and wish me good luck, before trampling out of visibility. Yuki, Yokoyama, Yuki, Taco, Casami, Chiake, and Airi sat stiffly in Saza leg position, configuring their music books to the right page, or pushing down their finger Tsume so they wouldn't fall off during the performance. The frontal line went from Chiake, Me, Yokoyama, and Airi, while to the right sat Yukimi and Taco. Flanking us on the left was Casami and Yuki. Each section had their own part to the song. Only together, would the song, Sakura, come together beautifully. Takemura-sensei, school teacher and club leader, stood before us once more with a big warm smile. She told us all to go our best, and added an extra thumbs up for me. I looked around at the smiling faces of my friends, and came to the conclusion that even if I did poorly, I wouldn't let them down. I've been so worried about not letting them down, that I had forgotten about one of the best moments of playing the Koto at Tosajoshi. That moment just before the starting of the song, when I look around and see Yukimi give me a peace sign, Casami stick out her tongue, Yokoyama, Airi, and Taco say, "Everybody do your best!" And best all, Chiake give me a thumbs up before placing her hands of the strings. Outside the curtain covered stage, the announcements blared on. In translated form the speaker said, "The next song is a rendition of the famous Sakura. This year we had a special guest join the Koto club. Julianne Garner, and American exchange student, came to Japan to study Japanese. She says that Koto is difficult but very excited. We are all very happy to have her." And then the curtains rose. Chiake shouted the mandatory, "Rei!" And the group of high school musicians dropped into a 4 second bow. I watched as Chiake nodded her head, the signal for begin, and then we were off. My middle finger playing the first note, floowed by the thumb. And it was then that I knew, I was going to do great. I played with heart and soul, giving it all I had. All the remnants of that earlier nervousness had dispersed, and were replaced by an exciting feeling. It was just me and my Koto, playing with a couple with a couple friends for the fun of it. One of the rules is that you are supposed to look as serious as possible. This is so if you make a little mistake, your facial expression doesn't show it. Actually I don't really know why you are supposed to look so serious, but my facial expression always gives away my mistakes. It's one of the biggest things that the teacher's are always reminding me to work on. I had practiced it and thought that I had had down packed. Tonight, though, I couldn't help it. This time instead of a look of fear in messing up, I wore a dignified smirk. My lips couldn't help but curl up as I played near perfectly. Up and down my fingers traveled over the strings, never faltering. My eyes traveled from my fingers on the strings to the mark in the book. I lost myself in the sound of Sakura 2l, the song that was first composed during the Edo period for children learning to play the koto. And here I was, 400 years later playing the very song that had inspired so many Kotoists before me. In this day and age, Sakura is often sung in international settings as a musical representative of Japan. Tonight, though, it was the song that represented an American exchange student to Japan, me, Julie Garner. This song that I had been so worried about performing, had become so simple for me in a matter of a few seconds. It did not matter that there were hundreds of people watching, many just to see if I was capable of playing such a difficult instrument. What mattered was that I proved I was capable of it, to myself. The final part of the song involves a very difficult form, where one's fingers must virtually attach and slide back and forth over the string as rapidly as possible. I have a real hard time with this part, and the teachers were very worried about having me perform it. I nailed it perfectly with no problems. And the smirk grew into a full blown smile. The song ended, as I placed my arms on the vibrating strings to cease the sound, copying the motions of Chiake. We did one final bow, as the curtains began to fall. The clapping went from a quiet indoor type, to a full blown roaring train. When I curtains reached the floor, I sprung out of Saza position and nearly shouted, "I did it!" Yokoyama was the first one to reach me, followed by Taco and Yukimi. Soon all the members of Ko Ninensee Koto club were in a whole-hearted tender group hug and bouncing around as quietly as possible. The teachers knocked the Kohi out of the way to get to us. They joined our gracious hug, bouncing with us and silently cheering for our success. My heart was bursting with joy, as everyone said just how proud of me they were. It was me who was the proud though. Not proud of how well I performed, but proud that I was a true memeber of this wonderful club. Proud to say that my best friends in Japan are in the Tosajoshi Koto club. A club that calls me one of it's own members. We returned to the stage, picked up our Koto's and returned to the place of no visibilty. I watched as the Kohi scurried out to replace stands and sheet music for the next performance. I placed my dear Koto in the spot where it was supposed to be for the next girl to use. The Kohi all cheered for me as I exited the stage. What made it better was that I really believe it was all genuine, rather than just them being nice to a senior student. The Kubamoto-sensei team pulled me aside and with delightful grins, told me that they were impressed beyond words at how well I did. I thanked them for their kind words and for all the help that they gave to me in teaching me how to play. As they walked off, heckling a new set of Kohi, Chiake came up to me. Her chubby cheeks, usually the color of peaches were slightly green, and her easy smile was looking really forced. She gave me a huge hug and told me she always knew I could do it. I asked her what was wrong, and she told me in secret that she felt like she was going to throw up, from being nervous. Inside, I laughed, because I knew the exact feeling. The rest of the concert went on according to plan. 10 songs were played, beautifully, I'd like to add. After Sakura, the former Tosajoshi Koto members who were now all grown up, played a reunion song. Then Yukimi led a group Chugakkou Sannensee (Middle School 3rd graders) into a lovely song that ended with a 10 minute break. I followed by fellow Ko Ninensee downstairs into the dressing room during the break. While they ate dinner, I watched as the Ko Sanensee got dressed in Kimono for their final Goodbye song. Only halfway through the dressing up process, and they looked astounding. Upstairs on the stage, the Kohi got ready for the next few songs. These songs, which ended up being world classics like, the Nutcracker and Walking Down the Aisle music, went smoothly. Mostly they were played by the Kohi, so I was happy to return the wonderful support they had given me. As I helped put out stands, and patted them on the back and told them to keep their chins up. Then the Ko Ichinensee (High School 1st Years) played their song with relative ease, and almost no nervousness. Behind stage, I sat with Chaike, who had then taken to resting her head in a wire bin, and trying not to throw up her last few meals. In between each song, she managed to stand up, step back into drill sargent club leader mode, which involved bossing around the Kohi. Then as the they began playing the song, she found another wire bin to rest in. When the Ko Ichinensee were finished, I found a Kohi and together we lifted Chiake's 17 string Koto onto the main stage. We placed it right in the middle, as it was surrounded by 7 other Koto's on the left and right. This song, was probably the most difficult of the whole concert, and Chiake, as club leader got the main part. I guess seeing that her Koto was smack dap in the middle of everyone, made me understand her situation a little. And I knew she too, was worried about messing up because she couldn't let down her friends. As the curtain rose, Chiake looked over to the no visibility area where I was standing. Her face wore an expression that showed she was scared beyond words, even more than I had been. The language barrier is too thick for me to tell her what I was really thinking. That she was made the leader of the club because she was the best Koto player in the school. And that even if she made a simple little mistake, everyone would still be really proud of her. No matter what she thought. Instead I did the only thing I could do without being seen by the audience. I flashed her a simple thumbs up. And I think it helped, even if just a little bit, because as she bent into her bow, a saw a faint smile. Needless to say, the Ko Ninensee did amazing. Chiake did not make one single mistake in her brilliant performance on the 17 string Koto. Yukimi lead one part, while Casami led the other part of the song. A combination of the 3 made for an absolute breath taking performance. When it was over, I was the first one on the stage, tears falling out of my eyes, hugging the girls. It was hug to remember. As we all cried in each others arms, the Ko Sanensee, dressed in an absolute gorgeous Kimono attire, trekked on to the stage. Everyone held their breath as the final memorable performance of the Sanensee took place. It was a magical performance. Not only were the Koto notes mystical, but they were played with the sound of a flute. The lights flashed making the effect of falling Sakura. By the end of the heart-wrenching song, Passion, everyone was in tears. As the Kimono-clad girls walked off the stage, everyone went into the deepest most respectful bow we could find in our hearts. The curtain closed, but the the Sanensee went back onto the stage for speeches. Meanwhile, the rest of us made our way into the visible zone, surrounding a select group of girls on Koto's. I was put almost in the front of the stage, next to Yukimi's Koto. The final song of the night, Hanamizuki, was sung by the remaining girls with the Tosajoshi chorus. Arm in arm, we all smiled and cheered while the music flooded the hearts of everyone. I looked out into the crowd and saw everyone who I wanted to see. The Masakis, The Osakis, and Sae and Yurie Hirosue, along with a couple of other school friends all smiling and waving to us. It ended on the best note possible, with smiles and laughter, mixed with sadness and relief. When the curtain closed a final time, the rush of cleaning up set in. Kotos were taken apart by the bridges, then placed in carrying bags. I was back on Koto Taxi duty, carrying them into a rented van. After 20 minutes of pure craziness, we were all finished with Green Hall. I volunteered to help the remaining girls head back to the school and clean up, but Chiake put her foot down. So arm in arm with Yukimi and Taco, I walked out into a lobby. Yukimi and Taco jumped into the arms of there parents. For the first time in my life, I didn't have a family member to come and watch me. It didn't bother me too much, though. Soon I spotted Hikari, my host sister, and she pulled me to wear my host mother was waiting. The other club members were scouring long tables filled with gloriously wrapped presents. I didn't even bother to look in my pile, until Hikari discovered a HUGE unclaimed pile marked with my name. The first thing I spotted was a cute little potted plant, from Chiake's Grandmother. Later in the night I opened a white Rose bouquet from Sae and Yurie Hirosue, Kobe Cookies from an anonymous source, a smiley stuffed animal from Taco, a pink towel from Aimi and the Track team, and best of all a big stuffed pillow in the form of a Japanese monster from Chiake and her mother. It's amazing but this place never ceases to suprise me. Sometime that night I thought to myself, that I am the luckiest person in the entire world. I belong to an amazing club at an exciting school, friends that love me for who I am, langauge barrier or not, but most importantly 2 places to call home, Verona, America, and Kochi, Japan. I wonder how I got so lucky.